"Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen" by Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz was released on January 25, 1994. The duration of Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart's "Mozart: Zauberflote (Die) (The Magic Flute)" album is number 13 out of 52. The popularity of Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen by Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo, Op. 2, No. 4: Aria: O, Euridice, n'andro festoso | Giovanni Battista Pergolesi, Julia Faulkner, Anna Gonda, Camerata De Budapest, Michael Halasz | F Major | 1 | 7B | 113 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 5: Sestetto - Riconosci In Questo Amplesso | Donato Di Stefano, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Ingrid Kertesi, Natale de Carolis, Roberto Frontali, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 86 BPM | ||
Die Zauberflöte, K.620, Act I: Ich sollte fort? (Damen) | Wolfgang Amadeus Mozart, Marilyn Richardson/Doris Soffel/Ortrun Wenkel/Chor des Bayerischen Rundfunks/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
Ein deutsches Requiem, Op. 45: 5. "Ihr habt nun Traurigkeit" | Johannes Brahms, Elizabeth Norberg-Schulz, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | A Major | 0 | 11B | 177 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 8: Aria - Non Piu Andrai | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 2 | 9B | 127 BPM | ||
Requiem in D minor, K.626: 4. Offertorium: Domine Jesu | Wolfgang Amadeus Mozart, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 2 | 5A | 95 BPM | ||
Die Vögel / Act 1: Nun erwach, erwache mir Freundin | Walter Braunfels, Wolfgang Holzmair, Hellen Kwon, Endrik Wottrich, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek | E Major | 2 | 12B | 96 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 14: Terzetto: Susanna, or via, sortite | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | C Major | 2 | 8B | 145 BPM | ||
Tamerlano - Act 1: Aria: S'ei non mi vuol amar | George Frideric Handel, The English Concert, Monica Bacelli, Tamerlano, Tom Randle, Elizabeth Norberg-Schulz, Graham Pushee, Andronico, Anna Bonitatibus, Irene, Antonio Abete, Leone, Trevor Pinnock | B♭ Minor | 1 | 3A | 99 BPM | ||
La scala di seta (The Silken Ladder): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | C Major | 1 | 8B | 122 BPM |