"Otello / Act 1: "Inaffia l'ugola! Trinca, tracanna" (Brindisi)" by Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, John キーes, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 1991. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Otello by Giuseppe Verdi, Kiri Te Kanawa, Luciano Pavarotti, Anthony Rolfe Johnson, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti. The song's track number on the album is #6 out of 45 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Otello / Act 1: "Inaffia l'ugola! Trinca, tracanna" (Brindisi)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Otello / Act 1: "Inaffia l'ugola! Trinca, tracanna" (Brindisi) by Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, John キーes, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti has a tempo of 149 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Otello / Act 1: "Inaffia l'ugola! Trinca, tracanna" (Brindisi) being at 149 テンポ, the half-time would be 74 テンポ with a double-time of 298 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Svanir le voci!" | Vincenzo Bellini, John Osborn, Reinaldo Macias, Orchestra La Scintilla, Giovanni Antonini | B Major | 1 | 1B | 78 BPM | ||
Il Barbiere di Siviglia: Il vecchiotto cerca moglie - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | A Major | 1 | 11B | 109 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
Bizet: Carmen: Parle-moi de ma mere! - Act One | Georges Bizet, Plácido Domingo, Kiri Te Kanawa | B♭ Major | 2 | 6B | 133 BPM | ||
Il Barbiere di Siviglia: Sì, sì, la vincerò - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | D Major | 1 | 10B | 93 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Andrea Chénier / Act 3: Dumouriez traditore ... Grazie, cittadini | Umberto Giordano, Giorgio Tadeo, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 80 BPM | ||
Pagliacci / Act 2: "Arlecchin! Colombina!" - "Prendi questo narcotico" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 124 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM |