"Il Barbiere di Siviglia: Sì, sì, la vincerò - Highlights" by Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly was released on 1982. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 42 in the song's album "Rossini: Il barbiere di Siviglia - The Sony Opera House". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Il Barbiere di Siviglia: Sì, sì, la vincerò - Highlights is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Barbiere di Siviglia: Sì, sì, la vincerò - Highlights by Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ah! chi mi dice mai" - "Udisti? qualche bella" | Wolfgang Amadeus Mozart, Agnes Baltsa, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 113 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani" | Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 112 BPM | ||
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Leo Nucci, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 97 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Samuel Ramey, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 76 BPM | ||
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
Dunque Io Son...Tu Non M' Inganni | Gioachino Rossini, Riccardo Chailly | G Major | 1 | 9B | 125 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio) | Vincenzo Bellini, Franco Corelli, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 168 BPM | ||
L'elisir d'amore / Act 2: "Quanto amore!" - "Una tenera occhiatina" | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, English Chamber Orchestra, Richard Bonynge | E Major | 2 | 12B | 104 BPM | ||
Gianni Schicchi: "Quale aspetto sgomento e desolato!" | Giacomo Puccini, Leo Nucci, Roberto Alagna, Mirella Freni, Riccardo Cassinelli, Eva Podles, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 2 | 3B | 138 BPM | ||
Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM |