Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti's 'Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani"' came out on January 1, 1982. Since Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, Frederica von Stade, Thomas Allen, Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti's "Mozart: Le Nozze di Figaro" album is number 8 out of 32. In terms of popularity, Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani" by Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio In E Major KV 261 | Eduardo Marturet, Concertgebouw Chamber Orchestra, Emmy Verhey, Wolfgang Amadeus Mozart, C. Jared Sacks, Channel Classics | E Major | 1 | 12B | 104 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 12: No. 17, Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) | Wolfgang Amadeus Mozart, Alfredo Kraus, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 "Lodron" - arr. Mozart for 2 pianos: 3. Rondeau (Tempo di menuetto) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 123 BPM |