On June 13, 2011, the song "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Verwegener Alter" was released by Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado. With Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Verwegener Alter being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Verwegener Alter is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Verwegener Alter by Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro) | Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 94 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Falstaff / Act II: "Mia signora! C'è Mistress Meg" | Giuseppe Verdi, Larissa Diadkova, Bryn Terfel, Adrianne Pieczonka, Stella Doufexis, Thomas Hampson, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde | Ludwig van Beethoven, Peter Mattei, Christof Fischesser, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Rachel Harnisch, Christoph Strehl, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Wotan! Gemahl! Erwache!" | Richard Wagner, Josephine Veasey, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 78 BPM | ||
Stabat Mater: 10. Fac ut portem | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 0 | 6A | 66 BPM | ||
Die Fledermaus / Act 1: "Ach, ich darf nicht hin zu dir!" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 75 BPM | ||
Simon Boccanegra / Act 1: Amelia, di come fosti rapita (Doge, Amelia, Gabriele, Paolo, Pietro, Fiesco, Coro) | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, José Carreras, José van Dam, Giovanni Foiani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Minor | 3 | 8A | 102 BPM | ||
Beethoven: Mass in C Major, Op. 86: IV. (b) Benedictus (Allegretto ma non troppo) - Osanna in excelsis (Allegro) | Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
La Cenerentola / Act 2: Della Fortuna instabile...Sposa - Signor perdona... | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 92 BPM |