On June 13, 2011, the song "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde" was released by Ludwig van Beethoven, Peter Mattei, Christof Fischesser, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Rachel Harnisch, Christoph Strehl, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado. Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde appears to be safe for all ages as it is not explicit. The song is number 8 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde by Ludwig van Beethoven, Peter Mattei, Christof Fischesser, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Rachel Harnisch, Christoph Strehl, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen" | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM | ||
Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 101 BPM | ||
Saint Francois D'Assise / Premier Acte: Loué sois-tu, mon Seigneur, pour soeur Eau (Saint Francois, frères Sylvestre, Rufin & Bernard, choeur) | Olivier Messiaen, José van Dam, Akos Banlaky, Dirk D'Ase, Tom Krause, Hallé, Kent Nagano, Arnold Schoenberg Chor, Erwin Ortner | D♭ Major | 1 | 3B | 83 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 22, Choral. "Durch dein Gefängnis, Gottes Sohn" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien | D Major | 0 | 10B | 77 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 138 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: Introduzione - "Ite sul colle, o Druidi" | Vincenzo Bellini, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B Minor | 2 | 10A | 114 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Stabat Mater: 8. Inflammatus et accensus | Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende | D Major | 2 | 10B | 112 BPM |