Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende's 'Stabat Mater: 8. Inflammatus et accensus' came out on January 1, 1982. With this song being about 5 minutes long, at 5:20, "Stabat Mater: 8. Inflammatus et accensus" by Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Rossini: Stabat Mater". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Stabat Mater: 8. Inflammatus et accensus is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stabat Mater: 8. Inflammatus et accensus by Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Gloria: 6. Qui sedes ad dexteram Patris | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 89 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Sieh schon die Morgenröte (Ecco ridente in cielo) (Graf Almaviva) | Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter | C Major | 2 | 8B | 124 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 2: No. 4, Duetto. "Ah guarda, sorella" (Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Christa Ludwig, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | F Minor | 3 | 4A | 92 BPM | ||
Symphony No. 34 in C Major, K 338: I. Allegro vivace | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Michael Collins | G Major | 1 | 9B | 78 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Requiem, Op. 89 B. 165: Graduale: Requiem aeternam (Soprano, Chorus) | Antonín Dvořák, Christiane Libor, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | G Minor | 2 | 6A | 176 BPM |