"Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Sieh schon die Morgenröte (Ecco ridente in cielo) (Graf Almaviva)" by Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter was released on April 12, 2013. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Rossini: Der Barbier von Sevilla (Electrola Querschnitte)". In this album, this song's track order is #1. Based on our statistics, Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Sieh schon die Morgenröte (Ecco ridente in cielo) (Graf Almaviva)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Sieh schon die Morgenröte (Ecco ridente in cielo) (Graf Almaviva) by Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Hungarian Dance No.4 in F sharp minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 1 | 4A | 70 BPM | ||
Pictures at an Exhibition: X. La grande porte de Kiev | Modest Mussorgsky, Maurice Ravel, Orchestre Mondial des Jeunesses Musicales, Pierre Hetu | D♭ Major | 1 | 3B | 66 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
IV. Presto from Death and the Maiden String Quartet in D minor | Franz Schubert, Peter Schumayer, Johannes Meissl | D Minor | 1 | 7A | 94 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Largo | Baroque Festival Orchestra, Alberto Lizzio | B♭ Major | 0 | 6B | 87 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | G Major | 1 | 9B | 121 BPM | ||
Giselle: Act I - Overture | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E♭ Major | 0 | 5B | 83 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: I. MOLTO ALLEGRO | Jeffrey Tate | G Minor | 2 | 6A | 105 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM |