Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra's 'La Traviata: Act I: Libiamo ne' lieti calici' came out on 1967. The duration of La Traviata: Act I: Libiamo ne' lieti calici is about 3 minutes long, at 3:03. Based on our data, "La Traviata: Act I: Libiamo ne' lieti calici" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Georges Prêtre. The song's track number on the album is #3 out of 41 tracks. Based on our data, United States was the country where this track was produced or recorded. La Traviata: Act I: Libiamo ne' lieti calici is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Traviata: Act I: Libiamo ne' lieti calici by Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La Traviata: Act I: Libiamo ne' lieti calici being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 3: Chi è mai, chi è qui in sua vece? (Rigoletto, Gilda) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | D♭ Minor | 1 | 12A | 178 BPM | ||
Norma: Act I: Casta Diva | Elizabeth Bainbridge, Carlo Felice Cillario, Plácido Domingo, Montserrat Caballé, Fiorenza Cossotto, Ruggero Raimondi, Kenneth Collins | F Major | 1 | 7B | 138 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
La traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | C Major | 3 | 8B | 117 BPM | ||
Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM | ||
Messe solennelle de Sainte Cécile: Gloria | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Radio France | D Major | 1 | 10B | 78 BPM | ||
Macbeth / Act III: Scena e Duetto - Finale III: "Ove son io?" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Sergio Fontana, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 0 | 1B | 83 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM |