On May 1, 2013, the song "Tre giorni son che Nina" was released by Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla. With Tre giorni son che Nina being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 12 in Arie e Canzoni del Barroco Italiano by Carlo Bergonzi. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Tre giorni son che Nina's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tre giorni son che Nina by Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM | ||
Stabat Mater, P. 77: VII. Eja mater fons amoris (Andantino) | Giovanni Battista Pergolesi, Carlos Mena, Ricercar Consort, Philippe Pierlot | A Major | 0 | 11B | 70 BPM | ||
Che fiero costume | Giovanni Legrenzi, Elisabetta Pallucchi, Filippo Farinelli | F Minor | 0 | 4A | 127 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
La maja dolorosa II | Teresa Berganza, Juan Antonio Alvares Parejo | A Minor | 0 | 8A | 131 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Quella fiamma che m'accende | Benedetto Marcello, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 132 BPM | ||
Dovunque al mondo | Carlo Bergonzi | F♯ Major | 1 | 2B | 166 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM |