"Stabat Mater, P. 77: VII. Eja mater fons amoris (Andantino)" by Giovanni Battista Pergolesi, Carlos Mena, Ricercar Consort, Philippe Pierlot was released on 2005. The duration of Stabat Mater, P. 77: VII. Eja mater fons amoris (Andantino) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Stabat Mater, P. 77: VII. Eja mater fons amoris (Andantino)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Pergolesi: Stabat Mater; Salve Regina". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Stabat Mater, P. 77: VII. Eja mater fons amoris (Andantino) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater, P. 77: VII. Eja mater fons amoris (Andantino) by Giovanni Battista Pergolesi, Carlos Mena, Ricercar Consort, Philippe Pierlot having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater in F Minor, P. 77: II. Cuius animam gementem (Soprano) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | F♯ Major | 1 | 2B | 82 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia eius | Johann Sebastian Bach, Gérard Lesne, Howard Crook, Philippe Herreweghe, La Chapelle Royale | E♭ Minor | 0 | 2A | 107 BPM | ||
Concerto a cinque in F Major: III. Presto | Giovanni Battista Pergolesi, Württemberg Chamber Orchestra, Jörg Faerber, Michael Flaksman, Georg Egger | C Major | 0 | 8B | 87 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Salve Regina | Giovanni Battista Pergolesi, Daniel Taylor, Theatre of Early Music | F♯ Minor | 0 | 11A | 76 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Minor | 2 | 2A | 114 BPM |