"Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém" by Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda was released on May 8, 2020. With this song being about 5 minutes long, at 5:03, "Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém" by Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 25 in Dvořák: Essentiel by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém by Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore: "Una furtiva lacrima" | Luciano Pavarotti, Alfredo Di Lauro, Orchestra Di Lauro | B♭ Minor | 2 | 3A | 80 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus | B♭ Major | 2 | 6B | 116 BPM | ||
Baracolle - From “The Tales of Hoffmann” | Katherine Jenkins, The Czech Film Orchestra, William Hayward | D Major | 5 | 10B | 163 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | B Minor | 1 | 10A | 85 BPM |