Katherine Jenkins, The Czech Film Orchestra, William Hayward's 'Baracolle - From “The Tales of Hoffmann”' came out on November 14, 2014. The duration of Baracolle - From “The Tales of Hoffmann” is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Baracolle - From “The Tales of Hoffmann”'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Katherine Jenkins's "Katherine Jenkins" album is number 24 out of 29. The popularity of Baracolle - From “The Tales of Hoffmann” is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Baracolle - From “The Tales of Hoffmann” by Katherine Jenkins, The Czech Film Orchestra, William Hayward to be Vivace (lively and fast) because the track has a tempo of 163 テンポ, a half-time of 82テンポ, and a double-time of 326 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Love's Last Word Is Spoken | Mario del Monaco | G Major | 3 | 9B | 84 BPM | ||
Voi Che Sapete | Wolfgang Amadeus Mozart, Barrington Pheloung, London Metropolitan Orchestra | B♭ Major | 2 | 6B | 120 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
We Are The Champions | Katherine Jenkins | F Major | 4 | 7B | 79 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Cantique De Jean Racine | Monks And Choir Boys Of Downside Abbey | D♭ Major | 1 | 3B | 73 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM |