"Cantique De Jean Racine" by Monks And Choir Boys Of Downside Abbey was released on January 1, 1997. With this song being about 5 minutes long, at 5:13, "Cantique De Jean Racine" by Monks And Choir Boys Of Downside Abbey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Monks And Choir Boys Of Downside Abbey's "Gregorian Moods" album is number 1 out of 19. Cantique De Jean Racine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantique De Jean Racine by Monks And Choir Boys Of Downside Abbey to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Miss De Angelis: V. Agnus Dei | Gregorian Chants, Karel Frana, Boni Puncti | F Major | 1 | 7B | 126 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Beati mortui | Dominican House of Studies | D♭ Major | 2 | 3B | 87 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Tempo Della Glora E Della Vita. Graduale: Haec Dies | Canonici Regolari Si Sant'Antimo | F Minor | 1 | 4A | 78 BPM | ||
Alleluia...Troparion "Behold the Bridegroom" - Kievan Chant | Archangel Voices | D Major | 1 | 10B | 113 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM |