On June 13, 2011, the song "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar" was released by Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado. With this song being about 5 minutes long, at 4:31, "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar" by Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar by Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Euch werde Lohn in bessern Welten | Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Rodelinda / Act 1: Dove sei, amato bene? | George Frideric Handel, Andreas Scholl, Accademia Bizantina, Ottavio Dantone | E♭ Major | 1 | 5B | 130 BPM | ||
Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 34 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Symphony No. 9 in D Minor, Op. 125 - "Choral": 4g. Allegro ma non tanto - Live | Ludwig van Beethoven, Rie Miyake, Mihoko Fujimura, Kei Fukui, Markus Eiche, Tokyo Opera Singers, Mito Chamber Orchestra, Seiji Ozawa | F♯ Major | 0 | 2B | 95 BPM | ||
Ein deutsches Requiem, Op. 45: Langsam - Ihr habt nun Traurigkeit - 1997 Digital Remaster | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, The Philharmonia Chorus, Philharmonia Orchestra, Ralph Downes, Reinhold Schmid, Otto Klemperer | G Major | 0 | 9B | 90 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM |