"Lakmé / Act 2: "Où va la jeune Indoue" (Bell song)" by Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister was released on February 3, 2017. Since Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 15 in Aida by Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister. The popularity of Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) by Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister is Vivace (lively and fast), since this song has a tempo of 168 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Die Zauberflöte, K. 620, Act II: "Ach, ich fühl's" (Pamina) | Wolfgang Amadeus Mozart, Natalie Dessay, Louis Langrée, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Lakmé: Viens, Mallika - Sous le dôme épais | Léo Delibes, Susanne Elmark, Maria Kontra, Sønderjyllands Symfoniorkester, Robert Reimer | B Major | 1 | 1B | 88 BPM | ||
La boheme: Act I: O soave fanciulla (Rodolfo, Mimi) | Giacomo Puccini, Stanislav Beňačka, Carmen Gonzales, Ladislav Hallon, Richard Novak, Luba Orgonasova, Fabio Previati, Boaz Senator, Jiri Sulzenko, Ivan Urbas, Jonathan Welch, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 0 | 11B | 128 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
Die Zauberflöte / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 115 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM |