"Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?"" by Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson was released on January 1, 1961. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Teresa Berganza - 18th-Century Portraits". In this album, this song's track order is #13. Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" by Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Waldeinsamkeit | Max Reger, Regula Mühlemann, Adrian Baianu | G Major | 1 | 9B | 104 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
Don Giovanni, K.527 / Act 1: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Franz Bartolomey, Vienna Chamber Orchestra, György Fischer | D♭ Major | 2 | 3B | 74 BPM | ||
Le Nozze di Figaro, K. 492: Atto quarto. Scena ultima. Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, la Contessa "Gente, gente" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Kobie Van Rensburg, Lorenzo Regazzo, Núria Rial, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens | D Major | 2 | 10B | 139 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM | ||
Le feste d'Apollo / Orfeo: Che farò senza Euridice? | Christoph Willibald Gluck, Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon | B Major | 7 | 1B | 108 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Ecco un nuovo tormento" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |