"Lakmé: Viens, Mallika - Sous le dôme épais" by Léo Delibes, Susanne Elmark, Maria Kontra, Sønderjyllands Symfoniorkester, Robert Reimer was released on December 9, 2016. Lakmé: Viens, Mallika - Sous le dôme épais is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 9 out of 12 in Arier: Ch'il bel sogno by Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer. Lakmé: Viens, Mallika - Sous le dôme épais is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé: Viens, Mallika - Sous le dôme épais by Léo Delibes, Susanne Elmark, Maria Kontra, Sønderjyllands Symfoniorkester, Robert Reimer is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le pénitencier | Johnny Hallyday | A Minor | 3 | 8A | 105 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | F Minor | 1 | 4A | 149 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Air on the G String | Johannes Bornlöf | D Major | 4 | 10B | 61 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Delibes: Lakmé, Act 1: "À l'heure accoutumée" (Mallika, Hadji, Chorus, Nilakantha) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Joseph Peyron, Roger Soyer, Orchestre du Theatre National de IOpera-Comique | F♯ Major | 1 | 2B | 167 BPM | ||
Rinaldo, HWV 7, Act II Scene 4: Lascia Ch'io Pianga (Let me Lament) | Camerata De Budapest, Ingrid Kertesi, George Frideric Handel | F Major | 1 | 7B | 172 BPM | ||
Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" | Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists | B Minor | 0 | 10A | 101 BPM | ||
Martha: M'apparì | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Stefano Secco | F Major | 3 | 7B | 81 BPM |