"Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka)" by Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra was released on 1988. Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Lucia Popp, Stefan Soltesz, Munich Radio Orchestra's "Lucia Popp sings Slavonic Opera Arias" album is number 2 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) by Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bernstein: Candide, Act I, Scene 3: Aria. "Glitter and be gay" (Cunégonde) | Leonard Bernstein, Diana Damrau, Dan Ettinger, Munich Radio Orchestra | A♭ Major | 2 | 4B | 91 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
Sibelius: Valse triste, Op. 44 | Jean Sibelius, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 102 BPM | ||
4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato | Anonymous, Antonín Dvořák, Daniel Müller-Schott, Robert Kulek | B♭ Major | 0 | 6B | 127 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 175 BPM | ||
Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 0 | 2B | 91 BPM |