"Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse)" by George Frideric Handel, Stephanie Blythe, Emmanuelle Haïm, John Nelson, Orchestre de chambre de Paris was released on November 6, 2001. The duration of Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stephanie Blythe/John Nelson/Ensemble Orchestral de Paris, John Nelson's "Handel/Bach - Arias" album is number 2 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) by George Frideric Handel, Stephanie Blythe, Emmanuelle Haïm, John Nelson, Orchestre de chambre de Paris to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus (Psalm 126), R.608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | D♭ Major | 0 | 3B | 75 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Verdi : La Traviata : Act 1 "Libiam ne' lieti calici" [Alfredo, Chorus, Violetta] | Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 2 | 6B | 94 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
Nulla in Mundo Pax Sincera - Arr. Edwards/Hirschfelder | Antonio Vivaldi, Jane Edwards, Choir, Geoffrey Lancaster, Gerald Keuneman, Orchestra, Ricky Edwards | E Minor | 1 | 9A | 136 BPM | ||
Stabat Mater (excerpt) - Alternate Version | The London Metropolitan Ensemble | F Minor | 1 | 4A | 121 BPM | ||
Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D♭ Major | 1 | 3B | 73 BPM | ||
Symphonic Suite from On the Waterfront / Manfred, Op. 115: Overture / Fancy Free: Var. 1 (Galop) | Leonard Bernstein, Robert Schumann, London Symphony Orchestra, Yannick Nézet-Séguin, Victoria Ruggiero | F Major | 2 | 7B | 77 BPM | ||
Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | ||
Violin Concerto In D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto | Johannes Brahms, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 80 BPM |