"Symphonic Suite from On the Waterfront / Manfred, Op. 115: Overture / Fancy Free: Var. 1 (Galop)" by Leonard Bernstein, Robert Schumann, London Symphony Orchestra, Yannick Nézet-Séguin, Victoria Ruggiero was released on November 17, 2023. With this song being about 5 minutes long, at 5:16, "Symphonic Suite from On the Waterfront / Manfred, Op. 115: Overture / Fancy Free: Var. 1 (Galop)" by Leonard Bernstein, Robert Schumann, London Symphony Orchestra, Yannick Nézet-Séguin, Victoria Ruggiero is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in London Symphony Orchestra, Leonard Bernstein, Yannick Nézet-Séguin, Bradley Cooper's "Maestro: Music by Leonard Bernstein (Original Soundtrack)" album is number 1 out of 21. Symphonic Suite from On the Waterfront / Manfred, Op. 115: Overture / Fancy Free: Var. 1 (Galop) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonic Suite from On the Waterfront / Manfred, Op. 115: Overture / Fancy Free: Var. 1 (Galop) by Leonard Bernstein, Robert Schumann, London Symphony Orchestra, Yannick Nézet-Séguin, Victoria Ruggiero to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C-Sharp Minor / Pt. 3: 4. Adagietto - Live | Gustav Mahler, Wiener Philharmoniker, Leonard Bernstein | F Major | 0 | 7B | 79 BPM | ||
Fur Elise | London Symphony Orchestra | A Minor | 0 | 8A | 82 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 86 BPM | ||
Humans Remain | Laura Karpman | C Minor | 4 | 5A | 64 BPM | ||
Intermezzo in C Minor - "Money Wins" | Nicholas Britell | C Minor | 2 | 5A | 91 BPM | ||
Waltz Tango | Nicholas Britell, Tim Fain | A Major | 5 | 11B | 173 BPM | ||
The Boys in the Boat | Alexandre Desplat | G Major | 5 | 9B | 132 BPM | ||
King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Major | 1 | 1B | 95 BPM | ||
Festive Overture, Op. 96 (Arr. Lawrence for Brass Ensemble) | Dmitri Shostakovich, The Philharmonic Brass, Tugan Sokhiev | A♭ Major | 3 | 4B | 157 BPM | ||
Symphony No. 2 in C Minor "Resurrection": V. Finale. In Tempo des Scherzos | Gustav Mahler, Bradley Cooper, Rosa Feola, Isabel Leonard, London Symphony Chorus, London Symphony Orchestra, Yannick Nézet-Séguin | E♭ Major | 4 | 5B | 136 BPM |