"Chants d'Auvergne, Vol. 1: No. 2. Bailero" by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus was released on November 1, 2004. With this song being about 5 minutes long, at 5:14, "Chants d'Auvergne, Vol. 1: No. 2. Bailero" by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Chants d'Auvergne, Vol. 1: No. 2. Bailero is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chants d'Auvergne, Vol. 1: No. 2. Bailero by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: C'est toi qu'enfin je revois! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Minor | 1 | 3A | 92 BPM | ||
Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Michel Corboz, Maîtrise de Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Berner Symphonie-Orchester | F Minor | 0 | 4A | 71 BPM | ||
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Gianni Schicchi: O Mio Babbino Caro | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | A♭ Major | 2 | 4B | 84 BPM | ||
Da Pacem Domine | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 1 | 7A | 77 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Puccini: Un bel di, vedremo, Madama Butterfly | Celine Byrne, Giacomo Puccini, RTÉ National Symphony Orchestra, Marco Zambelli | D♭ Major | 1 | 3B | 90 BPM |