Johannes Brahms, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan's 'Violin Concerto In D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto' came out on January 1, 1993. Since Violin Concerto In D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Brahms: Violin Concerto; Double Concerto by Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan. Violin Concerto In D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto In D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto by Johannes Brahms, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus (1999 - Remaster), Act II: Dieser Anstand, so manierlich (Eisenstein/Rosalinde) | Johann Strauss II, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra, Elisabeth Schwarzkopf, Rita Streich, Helmut Krebs, Luise Martini, Rudolf Christ, Erich Majkut, Karl Dönch, Franz Böheim, Philharmonia Chorus, Erich Kunz | D Major | 2 | 10B | 123 BPM | ||
Die Fledermaus (1999 - Remaster), Act I: So muß ich allein bleiben (Rosalinde/Eisenstein/Adele) | Johann Strauss II, Herbert von Karajan, Nicolai Gedda, Elisabeth Schwarzkopf, Rita Streich, Philharmonia Orchestra | C Major | 1 | 8B | 93 BPM | ||
Hungarian Dance No. 5 in G Minor | Johannes Brahms, Anne-Sophie Mutter, Lambert Orkis | G Minor | 1 | 6A | 98 BPM | ||
Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt | Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur | G Major | 1 | 9B | 76 BPM | ||
Harty: Water Music Suite (After Handel): II. Air | George Frideric Handel, Philharmonia Orchestra, Herbert von Karajan | D Major | 3 | 10B | 184 BPM | ||
An der schönen blauen Donau, Op.314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 95 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: II. Presto | Sergei Prokofiev, Anne-Sophie Mutter, Lambert Orkis | A Minor | 1 | 8A | 142 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Violin Concerto in D Major, Op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto | Johannes Brahms, Lisa Batiashvili, Staatskapelle Dresden, Christian Thielemann | D Major | 2 | 10B | 94 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 1 | 7B | 168 BPM |