Johann Strauss II, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra, Elisabeth Schwarzkopf, Rita Streich, Helmut Krebs, Luise Martini, Rudolf Christ, Erich Majkut, Karl Dönch, Franz Böheim, Philharmonia Chorus, Erich Kunz made "Die Fledermaus (1999 - Remaster), Act II: Dieser Anstand, so manierlich (Eisenstein/Rosalinde)" available on 1955. With this song being about 5 minutes long, at 5:01, "Die Fledermaus (1999 - Remaster), Act II: Dieser Anstand, so manierlich (Eisenstein/Rosalinde)" by Johann Strauss II, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra, Elisabeth Schwarzkopf, Rita Streich, Helmut Krebs, Luise Martini, Rudolf Christ, Erich Majkut, Karl Dönch, Franz Böheim, Philharmonia Chorus, Erich Kunz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Strauss II, Herbert von Karajan's "J. Strauss II: Die Fledermaus" album is number 10 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Die Fledermaus (1999 - Remaster), Act II: Dieser Anstand, so manierlich (Eisenstein/Rosalinde)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die Fledermaus (1999 - Remaster), Act II: Dieser Anstand, so manierlich (Eisenstein/Rosalinde) by Johann Strauss II, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra, Elisabeth Schwarzkopf, Rita Streich, Helmut Krebs, Luise Martini, Rudolf Christ, Erich Majkut, Karl Dönch, Franz Böheim, Philharmonia Chorus, Erich Kunz to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In lauschiger Nacht, Walzer, Op. 488 | Carl Michael Ziehrer, Franz Welser-Möst, Wiener Philharmoniker | E♭ Major | 1 | 5B | 97 BPM | ||
Elektromagnetische Polka, Op. 110 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 90 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Gopak from Sorochinsky Fair | Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon | G Major | 2 | 9B | 157 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | A Major | 4 | 11B | 83 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 1, Promenade I | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 88 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM |