"Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt" by Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl was released on January 1, 2002. With Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Strauss Ii: Fledermaus (Die)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt by Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Die lustige Witwe (The Merry Widow)*: Act I: Finale: O kommet doch, o kommt, Ihr Ballsirenen | Franz Lehár, Alfred Sramek, Margarita de Arellano, Mathias Hausmann, Birgid Steinberger, Marwan Shamiyeh, Daniel Serafin, Alexander Klinger, Peter Branoff, Bernd Ander, Mirjana Irosch, Johann Reinprecht, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | G Major | 2 | 9B | 119 BPM | ||
La vie parisienne (Parisian Life): Act I: Finale: Rondo: Paris! Paris Dans une course furibonde | Jacques Offenbach, Michael Glucksmann, Ingrid Kaiserfeld, Andreas Schindler, Klaus Hannes Brock, Martina Serafin, Gotz Zemann, Wolfgang Gratschmaier, Hlin Petursdottir, Leana Legowski, Mirjana Irosch, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 2 | 7B | 182 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Couplets. "Eh quoi ! Monsieur, supposez-vous..." (Caroline, Alfred, Tourillon) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Michel Roux, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 1 | 9B | 80 BPM | ||
Der Vogelhändler, Act II: Horch, ein Glöckchen leise schlägt (Live) | Carl Zeller, Elena Puszta, Rupert Bergmann, Maximilian Mayer, Mörbisch Festival Choir, Bernhard Berchtold, Martina Fender, Dagmar Schellenberger, Morbisch Festival Orchestra, Gerrit Priessnitz | G Major | 3 | 9B | 163 BPM | ||
Lohengrin, WWV 75 / Act II: "Mein Held, entgegne kühn dem Ungetreuen" | Richard Wagner, Kurt Moll, Siegfried Jerusalem, Hartmut Welker, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Minor | 0 | 8A | 137 BPM | ||
Der Vogelhändler, Act II: Bescheiden, mit beschämten Wangen (Live) | Carl Zeller, Elena Puszta, Martina Fender, Dagmar Schellenberger, Morbisch Festival Orchestra, Gerrit Priessnitz | G Major | 2 | 9B | 85 BPM |