Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero made "Los gavilanes, Acto II: Amigos, siempre amigos" available on August 16, 2019. With Los gavilanes, Acto II: Amigos, siempre amigos being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ataúlfo Argenta, José Perera, Orquesta de Cámara de Madrid, Coros Cantores de Madrid, Toñy Rosad's "Los gavilanes (Zarzuela en tres actos)" album is number 6 out of 13. Based on our statistics, Los gavilanes, Acto II: Amigos, siempre amigos's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Los gavilanes, Acto II: Amigos, siempre amigos by Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Tambor de Granaderos: "Preludio" | Rafael Frühbeck de Burgos | D Major | 4 | 10B | 140 BPM | ||
Preludio | Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | ||
Los Gavilanes: "Siempre amigos" - Remastered | Jacinto Guerrero, Lily Bechman | E Major | 5 | 12B | 124 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Mirella Freni, Teresa Berganza, Philharmonia Orchestra, Giuseppe Sinopoli | A Minor | 0 | 8A | 165 BPM | ||
El Rey Que Rabió: "Raconto por Jeremías: ¡Por Dios!, ¡Por la Virgen!" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | A Major | 4 | 11B | 134 BPM | ||
Relato de Rafael | Luis Antonio García Navarro | D Minor | 3 | 7A | 75 BPM | ||
El Huesped del Sevillano: "Canción de las Feas y los Lindos" - Remastered | Jacinto Guerrero, Santiago Ramalle, Teresita Silva | C Major | 3 | 8B | 75 BPM | ||
Diez Melodías Vascas - Epitalámica | Jesús Guridi, Ataúlfo Argenta | F Major | 0 | 7B | 0 BPM | ||
El barberillo de Lavapiés, Acto III: Marquesita, Paloma, Don Luis y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | G Major | 4 | 9B | 106 BPM | ||
Massenet: Don Quichotte, Act 4: "L'aube bientôt blanchira l'horizon" (Don Quichotte, Dulcinée, Sancho, Pedro, Garcias, Rodriguez, Juan, Les invités) | Jules Massenet, Teresa Berganza, Alain Fondary, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, José van Dam, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | B Minor | 3 | 10A | 141 BPM |