Carl Zeller, Elena Puszta, Martina Fender, Dagmar Schellenberger, Morbisch Festival Orchestra, Gerrit Priessnitz's 'Der Vogelhändler, Act II: Bescheiden, mit beschämten Wangen (Live)' came out on September 15, 2017. With this song being about 5 minutes long, at 4:39, "Der Vogelhändler, Act II: Bescheiden, mit beschämten Wangen (Live)" by Carl Zeller, Elena Puszta, Martina Fender, Dagmar Schellenberger, Morbisch Festival Orchestra, Gerrit Priessnitz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zeller: Der Vogelhändler (Live) by Carl Zeller, Elena Puszta, Dagmar Schellenberger, Rupert Bergmann, Maximilian Mayer, Gerrit Priessnitz. The song's track number on the album is #15 out of 22 tracks. Based on our data, Germany was the country where this track was produced or recorded. Der Vogelhändler, Act II: Bescheiden, mit beschämten Wangen (Live) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Der Vogelhändler, Act II: Bescheiden, mit beschämten Wangen (Live) by Carl Zeller, Elena Puszta, Martina Fender, Dagmar Schellenberger, Morbisch Festival Orchestra, Gerrit Priessnitz has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Vogelhändler, Act II: Bescheiden, mit beschämten Wangen (Live) being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
Das Land des Lächelns - II | Richard Tauber, Franz Lehár, Radio Orchester Beromünster | D♭ Major | 2 | 3B | 85 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: O jag' dem Glück nicht nach (Sylva - Edwin - Boni) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | B Major | 3 | 1B | 105 BPM | ||
Dein ist mein ganzes Herz | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Major | 3 | 8B | 73 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Schenkt man sich Rosen in Tirol | Wiener Operettenorchester, Chor | B♭ Major | 5 | 6B | 88 BPM | ||
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Lucia Popp, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 133 BPM | ||
The Bird Seller: "Ach ihre Reputation" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | F Major | 1 | 7B | 174 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D♭ Major | 1 | 3B | 74 BPM |