"Serse: Aria - Ombra Mai Fu" by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket was released on January 1, 2006. The duration of Serse: Aria - Ombra Mai Fu is about 3 minutes long, at 3:18. Based on our data, "Serse: Aria - Ombra Mai Fu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lorraine Hunt Lieberson, Harry Bicket's "Handel Arias" album is number 20 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Serse: Aria - Ombra Mai Fu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse: Aria - Ombra Mai Fu by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
The Tempest, The Second Musick: IX. The Third Act Tune "Corant" | Matthew Locke, The English Concert, Harry Bicket | B Major | 10 | 1B | 110 BPM | ||
BWV199: Chorale: Ich, dein betruebtes Kind | Johann Sebastian Bach, Lorraine Hunt Lieberson | E Major | 0 | 12B | 117 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Can Vei La Lauzeta | Bernart de Ventadorn, Paul Hillier, Stephen Stubbs, Erin Headley | D Minor | 1 | 7A | 113 BPM | ||
Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Alfonso Leal del Ojo, Harry Bicket, The English Concert | F♯ Major | 2 | 2B | 118 BPM | ||
Canteloube: Chants d'Auvergne, Series 1: No. 2 Baïlèro | Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre de l'Association des Concerts Lamoureux | B♭ Major | 1 | 6B | 63 BPM | ||
Gloria, RV. 589: Coro "Gloria in excelsis Deo" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
Winterreise, Op. 89, D. 911: No. 1, Gute Nacht | Franz Schubert, Peter Mattei, Lars David Nilsson | C Minor | 1 | 5A | 96 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |