Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai's 'Verdi : La Traviata : Act 1 "Libiam ne' lieti calici" [Alfredo, Chorus, Violetta]' came out on 1954. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai's "La Traviata" album is number 3 out of 36. In terms of popularity, Verdi : La Traviata : Act 1 "Libiam ne' lieti calici" [Alfredo, Chorus, Violetta] is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Verdi : La Traviata : Act 1 "Libiam ne' lieti calici" [Alfredo, Chorus, Violetta] by Giuseppe Verdi, Gabriele Santini, Maria Callas, Orchestra Sinfonica Di Torino Della Rai to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Aida, Act 2: "Vieni, sul crin ti piovano" (Schiave, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 1 | 6A | 90 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Medley: Carnaval De Venise | Giuseppe Verdi, Traditional, Émile Waldteufel, Franz Lehár, Johann Strauss II, Juventino Rosas, André Rieu, Johann Strauss Orchestra | C Major | 4 | 8B | 99 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A♭ Major | 1 | 4B | 136 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Omai da lunge (Un Christiano/Nearco/Paolina) | Gaetano Donizetti, Salvatore Cammarano, Virgilio Carbonari, Piero de Palma, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 71 BPM | ||
Artaserse, Act III, Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Derek Lee Ragin | D♭ Major | 2 | 3B | 125 BPM | ||
Chitarra romana | Giuseppe Di Stefano | D Major | 3 | 10B | 85 BPM | ||
I'm Always Chasing Rainbows | Sumi Jo | G Major | 1 | 9B | 80 BPM | ||
Casta Diva, a Belloa Me Ritono | Maria Callas | F Major | 1 | 7B | 76 BPM |