Igor Stravinsky, Leonard Bernstein, New York Philharmonic's 'The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls' came out on 1958. The duration of The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls is about 3 minutes long, at 3:17. Based on our data, "The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Stravinsky: Le sacre du printemps". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls by Igor Stravinsky, Leonard Bernstein, New York Philharmonic having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A White House Cantata / Part 2: Duet for One | Leonard Bernstein, Barbara Hendricks, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano | D Major | 2 | 10B | 127 BPM | ||
Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 70 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | ||
A White House Cantata / Part 1: Sonatina | Leonard Bernstein, Neil Jenkins, Kenneth Tarver, London Voices, London Symphony Orchestra, Kent Nagano | C Major | 2 | 8B | 136 BPM | ||
Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live | Leonard Bernstein, Douglas Butler, Zachary James, Lyn Philistine, Devin Ilaw, Hilary Ginther, Benjamin Krumreig, Julia Burrows, E. Clayton Cornelious, Meredith Lustig, J.D. Webster, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir, Kevin Vortmann | C Major | 0 | 8B | 104 BPM | ||
Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 62 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 84 BPM | ||
Mass / II. First Introit (Rondo): I. Prefatory Prayers - Live | Leonard Bernstein, Meredith Lustig, Julia Burrows, Morgan James, Douglas Butler, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, The American Boychoir, Temple University Diamond Marching Band, Student Musicians from the School District of Philadelphia | G Minor | 3 | 6A | 107 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM |