"Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4" by Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop had its release date on September 9, 2003. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 3 out of 7 in Bernstein: Chichester Psalms & On the Waterfront by Leonard Bernstein, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 by Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Old Hundredth Psalm | Ralph Vaughan Williams, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill | G Major | 3 | 9B | 67 BPM | ||
Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Silent noon | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | E♭ Major | 1 | 5B | 111 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Adoration of the Earth. Introduction. Lento | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Major | 0 | 10B | 89 BPM | ||
Symphony No. 3, "Pastoral Symphony": III. Moderato pesante | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | C Major | 0 | 8B | 88 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Poco adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | D♭ Major | 1 | 3B | 52 BPM | ||
Bluebeard's Castle, Op. 11, Sz. 48: Megérkeztünk | Béla Bartók, Gustav Belacek, Andrea Meláth, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Minor | 2 | 12A | 129 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Erlkönig, D.328 (Op. 1) | Franz Schubert, Jessye Norman, Phillip Moll | F♯ Minor | 1 | 11A | 76 BPM |