"A White House Cantata / Part 1: Sonatina" by Leonard Bernstein, Neil Jenkins, Kenneth Tarver, London Voices, London Symphony Orchestra, Kent Nagano was released on January 1, 2000. Since A White House Cantata / Part 1: Sonatina is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 18 in Bernstein: A White House Cantata by Leonard Bernstein, London Symphony Orchestra, Kent Nagano. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, A White House Cantata / Part 1: Sonatina's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A White House Cantata / Part 1: Sonatina by Leonard Bernstein, Neil Jenkins, Kenneth Tarver, London Voices, London Symphony Orchestra, Kent Nagano is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Spring Rounds (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | B♭ Minor | 1 | 3A | 67 BPM | ||
Danse Macabre, Op. 40 | Camille Saint-Saëns, Leonard Bernstein | E♭ Major | 2 | 5B | 107 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | D Minor | 3 | 7A | 107 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Guillaume Tell: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 96 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
A White House Cantata / Part 1: Sonatina | Leonard Bernstein, Neil Jenkins, Kenneth Tarver, London Voices, London Symphony Orchestra, Kent Nagano | C Major | 2 | 8B | 136 BPM |