"Das Rheingold: Einzug der Götter in Walhall" by Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel was released on March 1, 2015. Since Das Rheingold: Einzug der Götter in Walhall is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner - Dudamel by Richard Wagner, Gustavo Dudamel, Simón Bolívar Symphony Orchestra Of Venezuela. The song's track number on the album is #2 out of 6 tracks. Das Rheingold: Einzug der Götter in Walhall is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold: Einzug der Götter in Walhall by Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Das Rheingold: Einzug der Götter in Walhall being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
The Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Arthur Fiedler, Boston Pops Orchestra | A Minor | 3 | 8A | 67 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Conga del Fuego - Live | Arturo Márquez, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | A Minor | 3 | 8A | 128 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM |