Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein's 'Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace' came out on January 1, 1987. Since Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Tchaikovsky: Symphony No.6 "Pathetique"". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace by Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 74 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Symphony No. 4 in D Minor, Op. 120 (1851 Version): IV. Langsam - Lebhaft | Robert Schumann, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 69 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM |