"Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live" by Leonard Bernstein, Douglas Butler, Zachary James, Lyn Philistine, Devin Ilaw, Hilary Ginther, Benjamin Krumreig, Julia Burrows, E. Clayton Cornelious, Meredith Lustig, J.D. Webster, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir, Kevin Vortmann was released on March 16, 2018. Since Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 38 out of 39 in Bernstein: Mass (Live) by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live by Leonard Bernstein, Douglas Butler, Zachary James, Lyn Philistine, Devin Ilaw, Hilary Ginther, Benjamin Krumreig, Julia Burrows, E. Clayton Cornelious, Meredith Lustig, J.D. Webster, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir, Kevin Vortmann is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
The Firebird Suite (1919 Version): IV. The Princesses' Round | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B Major | 0 | 1B | 166 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Symphony No. 5 in D Minor, Op. 47: I. Moderato | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | A Minor | 2 | 8A | 85 BPM | ||
Peter and the Wolf, Op. 67: Andantino, come prima - Meno Mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM |