"Cavalleria rusticana: Preludio" by Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni was released on January 1, 1978. The duration of Cavalleria rusticana: Preludio is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Cavalleria rusticana: Preludio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Gianandrea Gavazzeni, Luciano Pavarotti, Julia Varady, Piero Cappuccilli, Ida Bormida, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra's "Mascagni: Cavalleria Rusticana" album is number 1 out of 16. Cavalleria rusticana: Preludio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: Preludio by Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, WD 33: I. Allegro vivo | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 85 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Major | 7 | 8B | 89 BPM | ||
Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM |