Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark made "Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo" available on November 25, 1988. The duration of Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in French Festival by Slovak Radio Symphony Orchestra. In terms of popularity, Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo by Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
La Grande-Duchesse de Gérolstein / Act 1: Choeur, Récit et Rondeau: Portez armes - Vous animez le danger - Ah! que j'aime les militaires - Live | Jacques Offenbach, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | A Major | 1 | 11B | 169 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM |