Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut made "Carmen Ballet Suite (after Bizet): IX. Torero" available on October 3, 2016. The duration of Carmen Ballet Suite (after Bizet): IX. Torero is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Carmen Ballet Suite (after Bizet): IX. Torero's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Shchedrin: Carmen Suite & Respighi: La Boutique fantasque". In this album, this song's track order is #9. In terms of popularity, Carmen Ballet Suite (after Bizet): IX. Torero is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmen Ballet Suite (after Bizet): IX. Torero by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
The Danube Waves: Donauwellen, Walzer | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | C Major | 2 | 8B | 95 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
The Song of the Earth: III. Von Der Jugend | Gustav Mahler, Anton Nanut, RSO Ljubljana | F Major | 1 | 7B | 86 BPM | ||
Louisina Polka in E-Flat Major, JB 1:1 | Bedřich Smetana, Jan Novotný | E♭ Major | 1 | 5B | 107 BPM | ||
Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 84 BPM | ||
Carmen Ballet Suite (after Bizet): VI. Scene | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | A Minor | 2 | 8A | 156 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Finale: Allegro con brio | Ludwig van Beethoven, Anton Nanut, RSO Ljubljana | A Major | 3 | 11B | 76 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM |