"Dance of the Hours from Act III of "La Gioconda"" by Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy was released on 1959. Dance of the Hours from Act III of "La Gioconda" appears to be safe for all ages as it is not explicit. The song is number 19 out of 19 in Bizet: Carmen Suites No. 1 & No. 2, L'Arlésienne Suites No. 1 & No. 2, Dance of the Hours from La Gioconda by Georges Bizet, Eugene Ormandy. Based on our statistics, Dance of the Hours from Act III of "La Gioconda"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dance of the Hours from Act III of "La Gioconda" by Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Artist's Life - Waltz Op. 316 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 98 BPM | ||
Ponchielli: La Gioconda, Act 2: "Ma chi vien?" (Enzo, Barnaba, Laura) | Amilcare Ponchielli, Fiorenza Cossotto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli | F Major | 3 | 7B | 101 BPM | ||
Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
Egmont, Op. 84: Overture in F Minor | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | F Minor | 2 | 4A | 178 BPM | ||
Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling | G Major | 1 | 9B | 65 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Ponchielli: La Gioconda, Act 3: "Ombre di mia prosapia" (Alvise) | Amilcare Ponchielli, Ivo Vinco, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Ivo Vinco, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 64 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM |