Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields's 'Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt)' came out on January 27, 2017. The duration of Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) is about 3 minutes long, at 3:04. Based on our data, "Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists, William Christie's "Les plus belles musiques de ballet - Radio Classique" album is number 10 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) by Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D: 2. Grave | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 1 | 10A | 79 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Luzerner Sinfonieorchester, Michael Sanderling | A Minor | 2 | 8A | 130 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | D Major | 0 | 10B | 77 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM |