Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek made "Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt" available on January 1, 2009. The duration of Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Anna - The Best of Anna Netrebko by Anna Netrebko. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt by Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
La traviata: Libiamo ne'lieti calici | Giuseppe Verdi, Anna Netrebko, Yusif Eyvazov, The City of Prague Philharmonic Choir, Miriam Nemcova, Royal Philharmonic Orchestra, Jader Bignamini | B♭ Major | 2 | 6B | 212 BPM | ||
Stabat Mater: Quando corpus morietur | Giovanni Battista Pergolesi, Anna Netrebko, Marianna Pizzolato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 84 BPM | ||
Massenet: Thaïs: Méditation | Jules Massenet, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | E Minor | 0 | 9A | 97 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Andante cantabile (arr. L. Stokowski for orchestra) | Franz Joseph Haydn, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 1 | 8B | 109 BPM | ||
Dante, Op. 111: "Ah! de tous mes espoirs" | Benjamin Godard, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Major | 2 | 9B | 85 BPM | ||
La Bohème / Act 3: "Donde lieta uscì" - Live | Giacomo Puccini, Anna Netrebko, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
T‘estimo (Arr. Langley) | Edvard Grieg, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 1 | 9A | 87 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM |