"La Bohème / Act 3: "Donde lieta uscì" - Live" by Giacomo Puccini, Anna Netrebko, Bavarian Radio Symphony Orchestra, Bertrand de Billy was released on January 1, 2008. The duration of La Bohème / Act 3: "Donde lieta uscì" - Live is about 3 minutes long, at 3:18. Based on our data, "La Bohème / Act 3: "Donde lieta uscì" - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Puccini: La Bohème (Highlights)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, La Bohème / Act 3: "Donde lieta uscì" - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 3: "Donde lieta uscì" - Live by Giacomo Puccini, Anna Netrebko, Bavarian Radio Symphony Orchestra, Bertrand de Billy having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
La Bohème / Act 2: "Quando men vo" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | F♯ Minor | 1 | 11A | 88 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Die Fledermaus / Act 1: "So muss allein ich bleiben" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Wiener Philharmoniker, André Previn | C Major | 2 | 8B | 131 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Die Zauberflöte, K.620, Act II: March of the Priests | Wolfgang Amadeus Mozart, Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 96 BPM |