Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder's 'Fedora / Act 2: "Amor ti vieta"' came out on January 1, 2006. With Fedora / Act 2: "Amor ti vieta" being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Nessun Dorma". In this album, this song's track order is #18. In terms of popularity, Fedora / Act 2: "Amor ti vieta" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fedora / Act 2: "Amor ti vieta" by Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: No. 19 Balcony Scene | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D♭ Major | 0 | 3B | 88 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Donizetti: Roberto Devereux, Act 3: "E sara in questi orribili momenti" (Elisabetta, Ladies) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | D Major | 0 | 10B | 171 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 80 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM |