"The Planets, Op. 32: VII. Neptune, the Mystic" by Gustav Holst, Leonard Bernstein, New York Philharmonic was released on December 8, 2017. Since The Planets, Op. 32: VII. Neptune, the Mystic is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Leonard Bernstein, New York Philharmonic's "Holst: The Planets, Op. 32 (Remastered)" album is number 7 out of 7. The Planets, Op. 32: VII. Neptune, the Mystic is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: VII. Neptune, the Mystic by Gustav Holst, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 50 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 132 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 137 BPM | ||
Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante | Felix Mendelssohn, New York Philharmonic, Jascha Heifetz, Guido Cantelli | C Major | 2 | 8B | 103 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): II. The Bureaucrat (Polka) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 1 | 8B | 142 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 84 BPM |