"Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante" by Felix Mendelssohn, New York Philharmonic, Jascha Heifetz, Guido Cantelli was released on June 1, 1989. Since Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Concerto "Violin Concerto, No. 2" by Felix Mendelssohn, Guido Cantelli, New York Philharmonic. The song's track number on the album is #2 out of 3 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante by Felix Mendelssohn, New York Philharmonic, Jascha Heifetz, Guido Cantelli has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM |