"Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major" by Franz Liszt, Jenő Jandó was released on March 5, 1998. With this song being about 5 minutes long, at 4:30, "Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major" by Franz Liszt, Jenő Jandó is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt's "Liszt: Scherzo and March / 3 Liebestraume / Berceuse" album is number 5 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major by Franz Liszt, Jenő Jandó to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Paraphrase de concert sur Rigoletto, S. 434: Verdi - Rigoletto: Paraphrase de concert , S. 434/R. 267 | Franz Liszt, Alexandre Dossin | F Minor | 1 | 4A | 117 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
No. 7, Träumerei | Robert Schumann, Van Cliburn | F Major | 0 | 7B | 101 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Prélude in E minor, Op. 28, No. 4 | Frédéric Chopin, Janusz Olejniczak | E Minor | 0 | 9A | 63 BPM | ||
Je te veux | Erik Satie, Giacomo Scinardo | C Major | 1 | 8B | 112 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM |