Georges Bizet, Leonard Bernstein, New York Philharmonic made "Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I)" available on December 22, 2017. The duration of Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2 by Leonard Bernstein, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I)'s popularity is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) by Georges Bizet, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vals Davet - Arr. for Piano and String Quartet | Sultan Abdulaziz Han, Henschel Quartett, Vedat Koşal | F Major | 0 | 7B | 82 BPM | ||
Valse Sentimentale, Op. 51, No. 6 | Misha Quint, Svetlana Gorokhovich | A Minor | 0 | 8A | 81 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Zigeunerweisen, Op. 20: III. Un poco piú lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 100 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Osmanlı Sergi Marşı | Emre Aracı | D Minor | 1 | 7A | 179 BPM |