Fritz Wunderlich's 'Ich bin nur ein armer Wandergesell'' came out on 2017. The duration of Ich bin nur ein armer Wandergesell' is about 3 minutes long, at 3:25. Based on our data, "Ich bin nur ein armer Wandergesell'" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Germany. Based on our statistics, Ich bin nur ein armer Wandergesell''s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich bin nur ein armer Wandergesell' by Fritz Wunderlich having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
Die Entführung aus dem Serail, K. 384 / Act I: "Marsch! Trollt euch fort!" | Wolfgang Amadeus Mozart, Kurt Böhme, Fritz Wunderlich, Friedrich Lenz, Bavarian State Orchestra, Eugen Jochum | G Major | 6 | 9B | 73 BPM | ||
Die Zauberflöte, K.620 / Erster Aufzug: "He da! ... Was da?" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Dietrich Fischer-Dieskau, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner | F Minor | 2 | 4A | 129 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | ||
Die Entführung aus dem Serail, K. 384 / Act I: "Aber wie soll ich in den Palast kommen?" - "Wer ein Liebchen hat gefunden" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Kurt Böhme, Bavarian State Orchestra, Eugen Jochum | G Major | 6 | 9B | 73 BPM | ||
Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version | Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger | G Major | 3 | 9B | 74 BPM | ||
Ach so fromm, ach so traut | Friedrich von Flotow, Fritz Wunderlich, Artur Rother | C Major | 2 | 8B | 72 BPM | ||
The Gypsy Princess (Die Csárdásfürstin): "Mädchen gibt es wunderfeine" | Emmerich Kálmán, Herta Talmar, Fritz Wunderlich, Grosses Operetten Orchester, Franz Marszalek | E♭ Major | 3 | 5B | 86 BPM | ||
Wenn Der Herrgott Net Will | Paul Hörbiger, Hans Moser | E♭ Major | 1 | 5B | 152 BPM |