"Ach so fromm, ach so traut" by Friedrich von Flotow, Fritz Wunderlich, Artur Rother was released on September 23, 2005. The duration of Ach so fromm, ach so traut is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Ach so fromm, ach so traut's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 23 in Fritz Wunderlich - Die frühen Jahre by Fritz Wunderlich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ach so fromm, ach so traut is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ach so fromm, ach so traut by Friedrich von Flotow, Fritz Wunderlich, Artur Rother is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frasquita: "Hab' ein blaues Himmelbett" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D Major | 0 | 10B | 94 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | F♯ Minor | 3 | 11A | 89 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM | ||
Fatme, Akt I: "Heute singen alle" | Friedrich von Flotow, Das Orchester des Landessender Beromünster, Christian Köchting, Ingeborg Hallstein, Franz Crass, Ferry Gruber, Thomas Hemsley, Georg Stern | G Major | 6 | 9B | 102 BPM | ||
Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM |