"Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?"" by Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato was released on January 1, 2008. The duration of Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" is about 3 minutes long, at 3:12. Based on our data, "Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Romantic Arias". In this album, this song's track order is #13. Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" by Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM | ||
Selige Stunde, Op. 10, No. 2 | Alexander von Zemlinsky, Jonas Kaufmann, Helmut Deutsch | F♯ Major | 0 | 2B | 99 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Non ti scordar di me | Ernesto de Curtis, Jonas Kaufmann, Asher Fisch | A♭ Major | 2 | 4B | 74 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Ramón Vargas, SWR Symphony Orchestra, Marco Armiliato | B♭ Minor | 1 | 3A | 165 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM |